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On the road again

After 1300 km, 6 concerts and 1 Jam session in 5 days, not to mention all the beers, Jazz sausages giggles we’ve had with the Paul Harrison Band this week, I can safely say, to steal the title from a song that TJ Johnson has been singing with us this week….

“The life I love is making music with my friends”

Here is a clip from Silkeborg

http://www.tv2oj.dk/arkiv/2012/7/21?video_id=29277&autoplay=1

Maribo Jazz Festival

 

I was on tour with Bria Skonberg here in Denmark around about the time that I released Swing 41 and was still writing the material for About Time, back in 2008. She had come over from Canada to to a short tour with the Paul Harrison Band, Cynthia Sayer was with us at the same time. I have very fond memories of the whole thing.

Bria was a very talented singer and trumpetor, trumpetisit, trumpet player back then, and clearly that is still the case. She has moved to New York and continued to work hard (as all musicians have to), and that hard work, talent, and her light and positive attitude seem to have brought her continued success. Her latest CD – so is the day – is hanging around in the charts, and that does not surprise me as she has brought together a fine selection of musicians to work on it as she explains in this video: http://www.youtube.com/watch?v=Q4qGPooEbcg, strangely she does not mention me here, or though, perhaps they cut that section out as it probably went on for too long, yes, yes that must be it. I can see no other decent reason. Obvious really.

You can buy So Is The Day from Random Act Records

Band with no Name

I’m soon kicking off a new Gypsy Jazz project, but I don’t have a name for it.

Post your suggestions here and I’ll give away a copy of my next CD if I use it.

I’m in the lucky position of being able to tell you that I am soon to be playing with TJ Johnson while he is on tour with the Paul Harrison Band in Denmark.

Here are 10 things you may not know about him:

  1. T.J Johnson is on tour with the Paul Harrison band in Denmark this coming July.
  2. He is a one of the UK’s finest Jazz and Blues Singers.
  3. He is not to be confused with TJ Johnson – the fictional character of the Power Rangers Universe.
  4. He is a great piano player, strongly influenced by the likes of Dr John.
  5. He looks really good in a hat.
  6. His influences include Ray Charles, Louis Armstrong and Johnny Cash.
  7. He is not to be confused with the fictional character TJ. Hooker.
  8. He is a well respected drummer.
  9. His regular band often includes the fantastic reeds player Adrian Cox.
  10. His website is http://www.tjjohnson.co.uk/

 

While I was playing at Dresden Jazz Festival last month one of those precious and bizarre happenings occurred that only ever seem to happen while on tour. I thought it was worth sharing.

I was getting ready to play with the Paul Harrison band in a 2nd floor piano showrom in the centre of Dresden. The whole band was filling the lift with equipment. Our very talented and quick witted trombone player – Kevin Grenfell – volunteered to ride up in the lift to the venue, and I rushed up the stairs to help him out… the doors of the lift only opened on his side on the ground floor, so he would be barricaded in by a PA, banjo, saxophones etc. on any other floor.

Too my surprise, and our drummers amusement, when the doors of the lift opened on the second floor, in place of Kevin there was a confused 80 year old man repeatedly pressing the buttons on the wall of the lift and angrily shouting “Keller, Keller!” He had apparently wanted to go to cafe that was situated in the basement of the same building. Being somewhat impatient in nature he had disregarded Kevin’s attempts to explain the situation and, by way of insisting on being shown some kind of respect, had commandeered the lift and taken Kevin’s place.

I made a failed attempt to explain to the gentleman that I could not in all conscience let him go to the basement without first removing the trappings of a seven piece band from the lift, otherwise his journey would be fruitless as he would not have been able to exit the elevator. Henrik Holst Hansen and I emptied the lift as quickly as we could and I then shook the now very beclouded germans hand, thanked him for his time and sent him on his way to the cafe with the press of a button.

As I turned around I was met by a very perturbed looking woman, somewhat out of breath and red in the face rushing up the stairs. “wo ist mein Mann?” she enquired. Apparently Kevin had been spending the previous 10 minutes trying to explain her husbands sudden disappearance. The poor woman had just come directly from the basement where there was no sign of her better half and it took some time to convince her that it might be worth her while going back and having another look.

So .. next time you get annoyed with a band usurping the lift in a public building, give them a chance, have some patience and above all, don’t barge in and steal the lift, it may not work in your favour.

I’m having a great time down here at the Jazz im Boxring jazz festival in Dresden. Last night we played a beautiful venue that was completely new to us, and I think, new to the festival. We did not know whether to take our keyboard, and no one could tell us, so we heaved it into the van just in case. The venue was a high class piano shop in the center of town. We did not need the keyboard. It was lovely to hear Søren on piano, and all the gorgeous instruments seemed to inspire us all. Wonderful gig. And Søren just could not keep his hands off the Steinway.

Here is a list of the things I find most useful, as a gigging jazz musician, to have in my kit bag when on tour. I forget to take most of them every time.

  1. Headache tablets – Any musician who has played more than a handful of gigs is familiar with this. You’ve been driving for five hours, you haven’t drunk enough water and maybe had a few too many beers the night before. A headache starts making it’s presence known and by the end of the third set every noise is drilling it’s way into the back of your head and hammering nails into the back of your eyes. And you have to dance around with a big smile on your face! Ok, I exaggerate, but headache tablets in your kit bag are well worth remembering.
  1. Velcro ties – These are actually the only way I have found to actually stop cables and leads tying themselves into knots. But maybe this is not so important if you play jazz trumpet.
  2. An apple – So, maybe after a week on the road that apple won’t be looking so good in the bottom of your gig-bag, the point is to have something to keep your sugar up, and eat it before it goes rotten.
  3. A spare lead – Well, obvious, I’ve carried 3 spare leads around with me for the last 15 years. I’ve never actually needed one, but I’ve lent them out to other band members more than once.
  4. A Universal travel adapter – Obvious, really, but it is surprising how often one forgets.
  5. An Extension lead – Here the trick is to find a multi-way extension lead that accepts as many different plug types as possible.
  6. A Towel – I always lose mine, but really they are very important pieces of gear. Not just for wiping your forehead, but for keeping your instruments free of sweat. I remember one occasion where a backing singer turned round to me and asked if she could wipe her nose on my shirt to save her embarrassment on the stage. She had forgotten a towel. So had I. I’m afraid I was not as gallant as I should have been.
  7. Some loose Change – In the correct currency! In this day and age you would of thought that a credit card would work anywhere. And on holiday it probably does. But you’d be surprised the number of small town service stations where you can get unstuck on the road.
  8. Business Cards – Never miss the chance to pick up a new fan, or a chance gig.
  9. Leatherman – In some countries these little life savers are supposedly illegal, but you can fix so many things, from a broken mic stand to a faulty trombone player!
  10. One or more copies of your latest CD – You might not always sell them, but don’t let that depress you or put you off. How will that promoter know what your other band sounds like just from your enthusiastic description. And besides, every time a punter picks your CD up, regardless of how quickly they might put it back down, that is a branding success!

Support Danish Jazz

So, why isn’t Fona stocking the Midnight in Paris soundtrack CD here in Denmark?
It was a very popular film here in Denmark, and there are Danish musicians on a wonderful compilation album!

Busting Those Blisters

I recently took six weeks off gigging for personal reasons, when I came back to the stage the blisters came out to play. The time before that I spent 5 days swimming on a beach in greece. I paid for it the following weekend with blisters you would have to see to believe.

If you play double bass with any level of energy, you will have to deal with blisters one way or the other in the course of your life in music.

Here are my top ten ways to deal with bass blisters

  1. Vaseline – This is a top tip if you don’t mind slippery strings and you don’t play with the bow. I don’t use it, but I know of bassists who claim a spot of Vaseline on their fingertips before they play banishes blisters for ever.
  2. Plasters – As far as I can tell this is a myth, think about it, if you play a lot of gigs your fingers will toughen up, a lot, if playing can rip the skin of your fingers (and it can), a plaster is not going to stand a chance.
  3. Gaffa Tape – I’ve seen this done so I know it works! John “Lard” Gibbs of the kneetremblers wraps what looks like half a roll of tape around his slapping hand before a gig, and he plays like a god. The downside – well, he’s got half a roll of Gaffa Tape wrapped around his hand.
  4. Don’t take a break – I thump pretty hard (my bass) and am used to 3 hour gigs, if I play every weekend I don’t get blisters, and funnily enough my fingertips look and feel quite normal
  5. Pin pointing the problem – I don’t reccomend it, but I have done it when I have to gig and a blister has developed. I stick a sterile pin in the edge of the blister that is last to cross the string. The positioning is important because otherwise the blister may rip open while playing. More on lancing blisters.
  6. Putting a finer point on it – Acupuncture needles are worth having in your gig bag. They are already sterile and are thin enough that the skin quickly closes over the hole.
  7. Avoiding disaster – The only reson I ever lance blisters is because if you don’t, and you still have to play, you risk the blister bursting open while you play leaving a bloody painful hole. I’ve tried it. Didn’t like it.
  8. Fighting infection – After a weekend of 4 gigs, and sticking needles in my fingers like a pin cushion, my fingers can be swolen and sore. I’m always paranoid that there may bee a septic infection. So – soak the digits concerned in soap water, salt water or disinfectant.
  9. Eight hour cream – From Elizabeth Arden, this stuff is amazing, I’m quite confident you could treat a shark bite with this with a degree of success. Just apply it last thing at night and there will be noticeable healing done overnight.
  10. Stop playing you idiot – if you have blisters, and you are not morally or contractually obliged to do so, don’t play. Give your body a chance to heal.

2econd Nature on P8

Here is your chance to hear it again, or even for the first time. 🙂

Jazzroom P8

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